Recording a professional quality album requires talent and skill but above all else, it requires patience.

RCF and I arrived within minutes of each other and we could hear George Mastrogiannis was already on drums.  As we entered the studio, I saw the sound engineer’s work space lined with guitars and records, and the production equipment below the glass window that separated the recording room from the producer’s room. The owner of the studio and sound engineer of this album, Dave Swanson, had the previous session’s tracks already playing and after brief introductions, RCF entered the recording room and sat down to experiment with the new piano organ. It was then that I became more aware of what a truly multi-faceted musician RCF is. In every other setting where I’ve seen him play, the guitar has been the sole instrument of choice but in this setting, where tracks for each…